Blog

We always have something new in the works. Here's what you need to know.

Recent Posts

  1. Filmmaker Marco Ricci Discusses The Reconstruction of Asa Carter

    April 2, 2012

    ITVS’s Kate Sullivan Green sits down with Marco Ricci to talk about the documentary The Reconstruction of Asa Carter. Hundreds of thousands of readers have loved The Education of Little Tree, Forrest Carter's memoir of his life as a Cherokee orphan. It turns out, however, that the book was written by an infamous white supremacist, Ace Carter, who penned

  2. Women and Girls Lead Presents Social Screening of Hip Hop: Beyond Beats and Rhymes

    March 27, 2012

    Join us for the third and final film in the Women and Girls Lead Online Film Festival social screening series this Wednesday, March 28 at 1pm PT/4pm ET.The event, which takes place exclusively online, will feature special guests Jimmie Briggs, founder and director of Man Up, and Dr. Kaila Story, Professor of Gender and Women’s Studies at University of

  3. Last Call to Apply for a U.S. INPUT Producer Fellowship

    March 26, 2012

    The deadline for applications to attend the 2012 INPUT in Sydney, Australia is Tuesday, April 2, 2012.A limited number of INPUT 2012 Producer Fellowships will be awarded to U.S. public media producers to attend INPUT in Sydney, Australia on May 7 – 12, 2012. For more information about the U.S. INPUT Producer Fellowship application process, visit U.S INPUT

  4. The ITVS Indie Roundup

    March 23, 2012

    A curated list of indie news and recommendations from ITVS’s Jonathan Archer.  Miss SXSW? Catch up with all the keynotes and featured speakers online. IndieWire shared The 8 Film Startups You Should Know From SXSW. Nick DeMartino (formerly Director of AFI Digital Labs) asked, do we need "An Accelerator For Entertainment?" One of the more interesting and

  5. Feedback from a SXSW Rookie

    March 20, 2012

    The South by Southwest (SXSW) Conferences & Festivals (March 9-18, 2012) offer the unique convergence of original music, independent films, and emerging technologies.  As the line between film and digital projects continues to blur, it makes perfect sense that the Interactive and Film portions of SXSW run concurrently (along with ScreenBurn-