
True North
Through historic archives and the voices of those who lived through 1960s Montreal, True North explores pivotal events that impacted the global movement for Black liberation.
Few dancers make it to the highest levels of classical ballet; of that already small number only a fraction of them are black women. Misty Copeland pulled herself up the ladder at American Ballet Theater from studio company to featured soloist.
Nelson George is an author, filmmaker, television producer, and critic with a long career in analyzing and presenting the diverse elements of African-American culture. Queen Latifah won the Golden Globe for playing the lead in his directorial debut, the HBO movie Life Support, a critically-acclaimed drama about the effects of HIV on a troubled black… Show more
Leslie Norville is an Emmy® Award-winning producer. Her work is spurred by a passion to tell untold and nuanced stories about people of color. Recent projects include The First Wave and the forthcoming series Black Life: Untold Stories.. She is an alum of the Sundance Documentary Creative Producing Fellowship.
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Few dancers reach the elite level of ballet; of that already small number only a fraction are black women. Misty Copeland shattered those barriers in 2015, making history as the first African American principal dancer with the prestigious American Ballet Theatre (ABT).A Ballerina’s Tale intimately documents Copeland’s historic rise while shining a light on the absence of women of color at major ballet companies. The film also explores how ballet’s emphasis on waifish bodies impacts the health of ballerinas while sending a negative message to young fans.
Born in Kansas City, and raised in San Pedro, California, Misty Copeland did not begin studying ballet until the relatively late age of 13. In 2000, she joined ABT's Studio Company, and the following year became a member of ABT’s Corps de Ballet. She continued to rise within the company, becoming a soloist in August 2007. In 2013, she was offered the lead role in Igor Stravinsky's challenging Firebird, to be performed at New York's Metropolitan Opera House, a major coup for a soloist.
The night of the Firebird performance Misty danced beautifully, but later revealed she'd been performing in great pain. Soon she would learn that her left shin suffered six fractures and required corrective surgery. Many doubted she would ever dance again. A Ballerina's Tale follows Misty's journey, from the triumph of Firebird to the injury and painful road back to the American Ballet Theatre stage, and emergence as a star in the process.
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