
Independent Lens
The Kill Team
Adam Winfield attempted to alert the Army to the murders of unarmed civilians, and was implicated in one of the killings and charged with murder.
The Force goes deep inside the long-troubled Oakland Police Department as it struggles to confront federal demands for reform, a popular uprising following events in Ferguson, MO, and an explosive scandal.
Peter Nicks is an Emmy Award-winning shooter/director known for his courageous cinema vérité style. He directed/produced The Waiting Room, which was released theatrically in 2012 to critical acclaim, shortlisted for an Oscar and won numerous awards including the Truer Than Fiction Independent Spirit award. Nicks is a 2015 United States Artist Fellow… Show more
Linda Davis is an Emmy-nominated filmmaker who produced The Waiting Room (Independent Lens), a vérité portrait of a day in the life at a public hospital in Oakland, California, which received critical recognition and an Independent Spirit Award nomination for best documentary. She also produced The Kill Team (also Independent Lens), about a soldier in… Show more
Lawrence is an Emmy Award-nominated documentary filmmaker with a passion for character-driven narratives that strive for emotional truth, cinematic beauty, and cultural relevance. He is best known for the Oscar-Shortlisted film The Waiting Room (2012) as well as The Force, which premiered at Sundance in 2017.
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The Force goes deep inside the long-troubled Oakland Police Department as it struggles to confront federal demands for reform, a popular uprising following events in Ferguson, MO, and an explosive scandal.
A young chief, hailed as a reformer, is brought in to complete the turnaround at the very moment the #BlackLivesMatter movement emerges to demand police accountability and racial justice both in Oakland and across the nation.
Meanwhile, young cops in the Academy learn how to police in a new era of transparency and accountability. And out on the street, the camera gets up close as rookie and veteran officers alike face an increasingly hostile public where dueling narratives surround each use of force. Officers are being watched like never before as they respond to a constant flood of 911 calls, revealing the wide gulf between how cops see themselves and how they are seen by the public.
Despite growing public distrust, the OPD is garnering national attention as a model of police reform. But just as the department is on the verge of a breakthrough, the man charged with turning the department around faces the greatest challenge of his career, one that could threaten not only the progress that has been made, but the very authority of the institution itself.
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